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2	C.R.A.T.E. 2002 (C)reating (R)ealistic (A)nimation (T)hrough (E).A.S.T.
3	Part One: Project Information C.R.A.T.E. hires E.A.S.T. kids to create animations C.R.A.T.E. provides experience in 3D Software provided by Wellsco Hardware provided by CAST This year’s project: Expand on Project 2001
4	Part Two: Project 2001 Recap Casqui A.D. 1500 Day in the life Detail in a small area Backstory
5	Part Two: Definitions Polygon-A basic 2D shape
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7	Part Four: The Animators Justin Reh-Artifact Artist/Pyro-Technician Kent Walker-CGI Architectural Developer/Keyframe Animator
8	Kent Walker Started in early June Listed “bugs” Fixed animation key frames Fixed textures Lowered roof Merged in new objects
9	Justin: First year with C.R.A.T.E. and E.A.S.T. Learned Softimage and other programs Modeled bowls, pots, poles, tables, and other objects inside and outside of the house Created and applied textures Created outside scene based on artist rendition
10	Jeremy Bain Two Years in EAST Learned Visual Nature Studio Learned 3DS Max 4 Created the buildings of Casqui Created the entire environment surrounding the Village
11	Part Five: The Research Met with George Sabo On site Research: Parkin Archeological Survey
12	Part Six: Distribution 3D Virtual Reality QuickTime CD and VHS Story Handouts “Render” Poster “Comparative” Poster Parkin Overview Internet
13	Part Seven: The Experience Team Work Communications Transportation Commitment Project Based Learning
14	Part Eight: Problems User Interface Camera Controls Software Demands Audio New Software File Corruption Importing Data Render Time Funding
15	Part Nine: Comparisons Shrek- Three years 275 people 1 year to render. Attack of the Clones- Yoda=3 months w/9 animators 2 months render Clone Troopers= 2 million polygons Coruscant=20,000 objects per shot Final Fantasy- 200 modelers; 50 animators; 30 programmers 174 Silicon Graphics Servers Casqui Project Three High School Students Six computers 2,200 Custom Made Objects Ten weeks
16	Part Ten: Awakening of the Guard
17	Part Eleven: Parkin Overview
18	Part Twelve: Virtual Reality
19	Part Thirteen: Recreating an Artist’s Rendition
20	Credits